FOLK21 (part three of three)
Newhampton Arts Centre, Dunkley Street
The Folk21 West Midlands Regional Day culminated in a showcase of folk talent which featured artists from up and down the British Isles and beyond.
|Amy Jane Hardy|
The trio pulled out a Scottish song Jolly Hay which was jaunty Celtic sound that had their voices dancing harmoniously with their instruments. Lankin then went Nordic with the flute and bouzouki for a Norwegian tune which had a light dancing melody and was a playful tune which built slowly. There was a really mellowness to their version of Notton which was very chilled with a crystal clear flute opening which had a slightly oriental undertone.
Next up was If Harry Don't Go which was a song with a cautionary tale about Harry Constable who was a London docker, this ballad which had the fiddle providing a real jig of a tune was a story about solidarity, sticking together to beat being exploited by those who hold the purse strings.
His next offering Bring Love had an 'ol time country hick feel to it but somehow he managed to get really close to a reggae undertone.
Parry then fessed up that his next song was written by his mother. Called Oh Mr Cameron it used the tune to that fantastic Will Hay film, Oh Mr Porter and was a political song lampooning the Tory party and their policies.
Over the Water was a ballad lauding Liverpool which had a deliberate injection of the Merseybeat.
They opened with a song inspired by a 1900 Lancs poem Bolton's Yard and their sound is unmistakably rooted in the folk stable but, much like pioneers Fairport Convention, they have introduced an electro sound to go along with their banjo, xylophone, guitar and occasional harp which produced a toe tapper with an oompah beat gradually building up the sound.
They then pulled out Old Oak Tree, a song about a tree in Gallipoli which was a ballad with staccato cadence to the words and combined their electrobeat backing track with of all things a harp played beautifully by Simon Jones. This was followed by a slower deeper ballad about old wives' tales using the xylophone again. The Molecatcher was filled out again by a backing beat this time providing a thumping rhythm to which singer Andy Smith produced a deep voiced deliberate ballad.
Their next track was Katie's Twinkly Band from their first CD. The track has a sweet inspiring story attached to it about the eponymous Katie. It was a light jumpy sound with the banjo of Martin Purdy adding colour that had an old style busker/skiffle stomp feel to it.
The excellent banjo playing painted pictures with sounds and the rhythm was picked out by a dub sound.
Roger Davies from Yorkshire was next up and he opened with a soft ballad called Here For You which had more than a hint of Ralph McTell about it with Davies utilising some impressive chord changes.
Brighouse on a Saturday Night was a cheerful ballad and traditional song about his home town with some nice witty touches.
Davies then told how he was raised on rock 'n' roll so he produced something with a Buddy Holly sound. It was a song pretending to be a rock song but was performed with a strong Yorkshire accent which cleverly incorporated Holly's hit song Rave On.
He then pulled out his harmonica and produced a great version of the fantastic Woody Guthrie anthem, This Land with added localism.
Davies then sang a gentle ballad Stephanie which showed the clear sound of his voice and the strong cadence in the words and tune. This was followed by A Dreamer which was a pleasant easy ballad and he finished with Destiny which was a calling song about dreams.
Next on stage was duo Carolyn Forbes and Stephen Moncrieff who are The Raven. They opened with a murder ballad called Young Edwin which showed off their impressive a Cappella singing for what was a lovely traditional ballad.
The Blacksmith was a slow number with the guitar of Moncrieff picking out the beat and the flute providing wonderfully evocative highlights.
Rather strangely their next offering was about a Somerset vampire, Green Lady was a soft ballad again gently accented by the guitar. They finished with the upbeat version of Maggie May with Forbes using the squeezebox.
|Jez Lowe headed the line up at Folk21|
Headliner Jez Lowe then took over with the Geordie balladeer opening with Tethers End which was an upbeat song with a great acoustic sound and his singing was accented with a slight tremble in his voice.
There followed a couple of political songs first from the Pitmen Poets which was a soft ballad accented by Lowe's gentle guitar strumming which complimented his soft Geordie tones followed by Taking On Men a tale of ship building which was a jaunty ballad with simple but powerful lyrics about workers having to line up and wait to be chosen for any jobs there were.
Lowe then changed to his bouzouki for Back In Durham Goal which was an upbeat toe-tapping comedy song coloured by his harmonica playing.
He showed his storytelling skills with Fan Dancer's Daughter a gentle but cautionary tale about a family with secrets which also brought out Lowe's impressive guitar picking.
Once again his penchant for comedy came to the fore with a light Geordie version of It's Wonderful Life, called It's a Champion Life inspired by the classic film starring James Stewart.
In between keeping people entertained with his witty banter he played the gentle ballad which was the story of London Danny. He also related how he was involved with Shrewsbury Folk Festival and to celebrate Charles Darwin he, along with several other musicians, was commissioned to come up with a song about the great man. He produced a dark comedy song We'll Hunt Him Down which had a hint of bluegrass about it.
To bring the night to a close he sang the thought provoking Judas Bus about the miner's strike in the 1980s and Old Bones which was an anti-war song.
To read part two click on the link http://folkall.blogspot.co.uk/2013/06/folk-21.html